La Main animal 01
30 x 21 cm
La Main animal 02
30 x 21 cm
La Main animal 03
30 x 21 cm
La Main animal 04
30 x 21 cm
La Main animal 05
30 x 21 cm
La Main animal 06
30 x 21 cm
La Main animal 07
30 x 21 cm
La Main animal 09
30 x 21 cm
La Main animal 10
30 x 21 cm
La Main animal 11
30 x 21 cm
La Main animal 12
30 x 21 cm
La Main animal 14
30 x 21 cm
" La Main Animal" (Animal Hand) is a series of drawings where the word horse, calligraphed in blue, red or black felt, repets inlassabelement. On a white background or blue millimetre paper, Maud Louvrier Clerc sometimes represents horse rides, sometimes a free cavalcade.
The visual artist questions with this series the relationship between man and animal, between domination-submission, complicity-freedom that she connects to the hand-pencil relationship for the calligrapher. Like all arts, equestrian art is the product of a dream that with patience, discipline and ingenuity, falsifies the natural to produce the cultural, thus operating a passage. When solicited, the horse shows paces and airs that match or surpass those he gives in freedom.
Like music or dance, dressage seems to the artist the achievement of a reconciliation of opposites between control and letting go, a dynamic balance revealing a fascinating complicity based on alchemy between the two protagonists. The beauty lies when both manage to be one.
Group Shows - Limited Print - Galerie Ségolène Brossette, Paris
La Main animal 01
30 x 21 cm
" La Main Animal" (Animal Hand) is a series of drawings where the word horse, calligraphed in blue, red or black felt, repets inlassabelement. On a white background or blue millimetre paper, Maud Louvrier Clerc sometimes represents horse rides, sometimes a free cavalcade.
The visual artist questions with this series the relationship between man and animal, between domination-submission, complicity-freedom that she connects to the hand-pencil relationship for the calligrapher. Like all arts, equestrian art is the product of a dream that with patience, discipline and ingenuity, falsifies the natural to produce the cultural, thus operating a passage. When solicited, the horse shows paces and airs that match or surpass those he gives in freedom.
Like music or dance, dressage seems to the artist the achievement of a reconciliation of opposites between control and letting go, a dynamic balance revealing a fascinating complicity based on alchemy between the two protagonists. The beauty lies when both manage to be one.
Group Shows - Limited Print - Galerie Ségolène Brossette, Paris
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